About

Not Done Gallery is an ongoing artistic practice that takes place both inside and outside the walls of institutions.
It is not a gallery in the traditional sense, but a mobile and conceptual platform that questions where art belongs, who decides on its visibility, and how value is created in public space.
The phrase Not Done is both method and statement. It refers to everything that is considered marginal, illegitimate, or “not appropriate” within the art world. By focusing on those edges, the work reveals the infrastructures, expectations, and gatekeeping that usually remain invisible.
Each project unfolds around one central element – sometimes a painting, sometimes an object, sometimes a location. From there, installations, performances, and interventions are created that deliberately shift meaning. A painting becomes a site; merchandise turns into cultural heritage; a caravan becomes a sculptural gallery that claims space in front of museums and on city squares.
The works are professional, yet resistant to smooth integration. They insist on occupying places where art is “not supposed to be”: outside the museum doors, in the street, in circulation. They are temporary monuments, made to confront both passers-by and established art audiences.
Not Done Gallery is also an experiment in new economic models for art: moving beyond subsidies towards hybrid forms of support, merchandise, and performative exchange. It tests how independence and collaboration can coexist.
By refusing to play safe, Not Done Gallery creates a language of refusal, visibility, and presence. Each edition is autonomous, yet part of a larger trajectory: a growing archive of what is usually excluded, misplaced, or left unfinished.